Rockliffe's Babies is a British television police procedural devised by Richard O'Keefe, and starring Ian Hogg as maverick Detective Sergeant Alan Rockliffe, who is assigned to train seven young recruits to the CID, all fresh out of uniform. Under his irascible guidance, it is hoped that they will blossom into full-blown detectives. But Rockliffe is human – so human that he makes more mistakes than the 'Babies' he's supposed to be training.A follow-up series, Rockliffe's Folly, follows Rockliffe through his relocation to Wessex, dealing with rural crimes as part of a new team of investigators. The seven episode third series proved to be the last, with many citing a change in the programme's formula for the heavy ratings decline. Many viewers stated that the success of the two Babies series came not from Rockliffe himself, but from the popular ensemble cast.

Sequel to Rockliffe's Babies. Sergeant Alan Rockliffe relocates to rural Dorset, where he finds that different policing tactics are needed.

A young man, who has vowed never to marry and doesn't particularly like children, is left in charge of his two very young nieces. At first they drive him to distraction, but then he begins to warm to them, and also to a beautiful young local girl.

After a 20-year school reunion, a group of women - now in their late thirties - meet to reconsider where the past two decades have left them.

Struggling with the decision of whether or not to bring a child into the world, Annie and her husband Aaron become instant co-parents when their newly-divorced friend moves into their home with her 4-year-old. An ensemble comedy dram about the journey to parenthood... or not.

A moving, heartbreaking but ultimately heartwarming portrayal of a couple trying to have a baby. Lisa and Stephen are dealing with the painful struggle of pregnancy loss while life continues around them. However, despite facing dark times of grief and loneliness, they are finding their way through it with a burning sense of hope, humour, and love, realising the strength of their relationship, which will ultimately bring them closer than ever.

The physical and emotional trauma of three close-knit women trying to have children is explored.

Trecartin's extraordinary digital manipulations reach a new level as he speculates in vivid animation about reproduction, sexuality, and contemporary moralities. Collapsing footage appropriated from television, the Internet, and pop culture, Trecartin and his elaborately costumed collaborators manufacture an alien yet familiar reality. Inside this startling new video world, technophile gods wearing acid-washed denim argue about the future of gender and produce cryptic TV commercials. In a surreal backyard town meeting, characters deliver disjointed polemics assembled from clashing phrases that could have originated in ad campaigns, instant messaging conversations, or twisted episodes of syndicated science fiction. Constructed from the raw material of disposable media clichés and fads, Trecartin's narrative leaves us to answer the riddles he poses.

Mother Hen's kids are aspiring singers and actresses, but Chester wants to become a G-Man. This fantasy of his lands him into trouble.

Scrappy and Oopy are trying to make a movie, but things aren't working out so they go door to door in Hollywood looking for actors. They find baby versions of mostly comedians and they all then dance about.